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posted by [personal profile] pmsumner at 01:11pm on 08/10/2007
Charlie Jade... S1E1. I'm slightly disappointed with this as an opening
episode for a series. I watched and waited to find out what the point
was and it never came. I've now watched the opening episode and I still
don't understand the premise of the series. I'm in two minds whether to
carry on recording it but I guess there's no point giving up now. I
hope that someone put a rocket up the writers' colletive arses.

Day Watch was an enjoyable film. Jane and I saw it on Friday night, I
do wish I'd re-visited Night Watch on DVD before going, just to
reaquaint myself with the story as it was a tough pick-up. It suffers
from the same problems Night Watch does - in that the story seems to
jump from bit-to-bit with no apparent reason, a bit like a flitting
butterfly. I suspect this comes from making a film adaptation of a
relatively long book, trying to fit it into two hours always involved
cutting a lot of plot. Other than this, the effects and storyline more
than make up for any other short-comings.

In Babylon 5 we've just had our first glimpse of the "baddies", in Signs
and Portents. The race is mentioned and we have the briefest sighting
of them, along with Mr Morden who is just generally a very nasty man. I
remember him becoming very important over the next few episodes though I
don't remember how.

Jane watches B5 and says "That was PLOT wasn't it?" every time something
happens ;) Plot with a capital P. It's a failing in my eyes that some
of the "plot" is so obvious, some of the clues to future happenings are
almost spelt out. Or maybe they're really not and I remember more than
I thought I did, despite not really having paid that much attention
beyond enjoying what I saw.
There are 6 comments on this entry. (Reply.)
 
posted by [identity profile] elmyra.livejournal.com at 02:54pm on 08/10/2007
Re B5: Can you give examples? I don't remember any particular bit of plot being in any way heavy-handed. Yes, it was there, but that's the whole point of a series that has plot as opposed to a reset button at the end of each episode - it's what hooked me to it and keeps me hooked 10 years later.
 
posted by [identity profile] phil99.livejournal.com at 09:37am on 09/10/2007
I can't think of specific examples now because only having 'net acess at work means I rarely get more than 30 seconds to think without being interrupted by pesky customers :)

Having thought about it a bit more I do suspect that it's not as heavy-handed as I first thought. I think that a lot of it comes from me knowing the vague story of what happens and associating plot with it.
 
posted by [identity profile] albatros.livejournal.com at 03:50pm on 08/10/2007
Plot?
"Story Arc" is what you hear from the writer, who was doing something fairly new at the time by stringing out plot elements over many episodes. One of my favourites is "Babylon Squared" in combination with its twin, in another series, I think.
...but yes, Jane's plot-sense is not misplaced; you can see most of them coming, and that's the fun: there's a sense of epic foreboding with every set-up, like the first leg of a spider coming out of a hole.

That reminds me, I still haven't seen Series 5 (and I'm a bit woolly on S4 for that matter).
 
posted by [identity profile] phil99.livejournal.com at 09:38am on 09/10/2007
I don't yet possess S4/S5 - and I think my preferred supplier (read: cheapest) has gone into administration. Pfah.
 
posted by [identity profile] cyberjunkie.livejournal.com at 10:19am on 10/10/2007
since i have no other way to do this...

Happy Birthday!!!
 
posted by [identity profile] phil99.livejournal.com at 09:53am on 17/10/2007
oo thanks :) Do I not have contact info on my profile? oo I thought I did... You're not missing any posts I promise, there haven't been any for ages!

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